Yamaha B200 FM Synthesis Appendices


Yamaha B200 FM Synthesis Appendices - cover page
Brand
Yamaha
Document type
User Manual
Language
English
Pages
46
File format
PDF
File size
1.8 MB
Published
13 June, 2012
Updated
13 June, 2012
Model
B200
MD5 checksum
93AF784DE9455BA9F8AE0E36C1AE9B63

About this manual

This document provides technical appendices regarding the FM Synthesis method used in the Yamaha B200. It explains how frequency modulation creates complex sound waves by modulating a carrier with a modulator, detailing the roles of output levels and frequencies in shaping tone and volume.

The text further describes the internal architecture involving four operators connected via eight different algorithms, including self-modulation known as feedback. Additionally, it covers MIDI applications, illustrating how the B200 can control other instruments like the TX81Z and RX120 for multi-timbral performance and synchronized rhythm programming.

What's inside

  • Interesting Sounds and Boring Sounds
  • Carrier and Modulator
  • Bounds That Change in Time
  • Four Operators
  • Feedback
  • MIDI and MIDI Applications
  • B200 Plus TX81Z Multi-Timbral FM Tone Generator
  • B200 Plus RX120 Digital Rhythm Programmer

Frequently asked questions

What determines the tone and volume in FM synthesis?

The modulator output level determines the tone, while the carrier output level determines the volume.

How many operators does the B200 have?

The B200 has four operators that can be connected in eight different ways.

What is feedback in FM synthesis?

Feedback occurs when a single operator modulates itself, producing a more complex and brighter sound.

Download PDF (1.8 MB)

More Yamaha Manuals


View all Yamaha manuals →